entirelyenigmatic17
Rage and Serenity from the soundtrack is practically a love theme for Charles and Erik because it’s a combination of their own individual Leitmotifs. This essay explains in more detail what makes the piece so poignant.
“…at 0:42, a small melodic motif is introduced, which seems to generally be used as Charles’ theme in the film. This continues to play as Charles acts as a mentor and friend to Erik, showing him the memory, and telling him to try again.
At 1:19 in the song, Erik’s theme comes in. Now, Erik has two themes: a calmer, somewhat arpeggiated electric guitar riff, and a more intense “Magneto” theme, generally used when he is doing something violent. The one used here is the calmer one. However, instead of taking over the music entirely, the guitar actually plays the theme in counterpoint to Charles’ theme, not sacrificing its unique timbre, but still blending in with the orchestra to create an amazing sound. The song builds to a climax as Erik finally moves the dish, and then fades away gently as Erik smiles and laughs, and Charles pats him on the back proudly.
This, more than anything, really enforces the metaphor that Erik and Charles are Rage and Serenity. They have their individual strengths and advantages, but they are stronger when working together to reach a single goal. And working together doesn’t erase either of their individual qualities—Erik is still Rage and Charles is still Serenity, just as the guitar is still a guitar and the orchestra is still an orchestra. Together, they create something new and better, something more than a sum of its parts, as the popular saying goes. That’s why the relationship between Charles and Erik is so powerful, and why this scene is so emotionally charged—they were practically made for each other, each perfectly complementing the other.”

tvtropes.com (x)

Love First Class’s OST. But DoFP is better IMO. Hope(Xavier’s Theme) is my favorite.

(via jamesmcavoy333)

jedavu

jedavu:

Amusing “Cartoon Bombing” Cleverly Interacts With Surroundings

For French illustrator Troqman, the world is a stage to display artwork that he calls “cartoon bombing.” The artist travels with a spiral-bound sketch pad and draws amusingly-exaggerated pictures that cleverly interact with their environment. Troqman has placed his handiwork in grocery store freezers, on the ledge of buildings, and even in the bathroom.